I N T R O D U C T I O N
Walter Wanger, President,
Academy of Motion Picture Arts and Sciences.
T. K. Stevenson, President
Electrical Research Products, Inc.
Harvey Fletcher, Director of Physical Research,
Bell Telephone Laboratories (Recording)
O R C H E S T R A
The Philadelphia Orchestra. Leopold Stokowski, Conducting.
Musical arrangements, orchestral placement and enhancement
by Dr. Stokowsky
A Night on Bald Mountain Moussorgsky
Tales of the Vienna Woods Strauss
D R A M A
The Emperor Jones (Scene II)
Played by Paul Robeson (Unenhanced)
The scene is on the edge of the Great Forest. It is just dark.
Jones is fleeing from the insurrection which has just toppled
him from the throne of his primitive empire. His assurance
is leaving him. He hears the sound of tom-toms and voices in
the air.
Presented through the courtesy of the author and Mr. Robeson;
arranged and directed by Harold Burris-Mayer.
O R G A N
Frank W. Asper, Organist.
This number is not enhanced and therefore sounds as played in
the Salt Lake City Tabernacle.
Allegro from Sixth Organ Symphony Widor
O R C H E S T R A
The Philadelphia Orchestra. Leopold Stokowski, Conducting.
This number is not enhanced and therefore sounds as played by the orchestra.
Moonlight Debussy
C H O R U S
The Tabernacle Choir of Salt Lake City.
Conducted and Enhanced by J. Spencer Cornwall.
Frank W. Asper, Organist.
Hear My Supplication Archaanghelsky
Come, Come Ye Saints Clayton |
I N T E R M I S S I O N
( 1 0 M I N U T E S )
O R C H E S T R A
The Philadelphia Orchestra. Leopold Stokowski, Conducting.
Symphonic transcription, orchestral placement and enhancement
by Dr. Stokowsky
Pictures in an Exhibition Moussorgsky
The Hut on Fowl’s Legs
The Great Gate of Kiev
D R A M A
Scene from Cyrano de Bergerac (Unenhanced) Rostand
Walter Armitage and James Sullivan
Presented through the courtesy of Mr. Walter Hampden.
Act I – The Duel Scene
The scene is the hall of the Hotel de Burgoyne where Cyrano,
fabulous poet and
swordsman of the 17th Century, has just
interrupted a play. Valvert questions
Cyrano’s competence as
a critic of the drama and has in the ensuing argument
made
jesting reference to Cyrano’s nose, his salient feature. The duel follows.
O R A T O R I O
The Tabernacle Choir with Harold Bennet, Soloist.
Arranged, directed and enhanced by J. Spencer Cornwall
Excerpts from Elijah Mendelssohn
O R G A N
Played and enhanced by Alexander Schreiner, Organist.
Prelude in D Major Bach
O R C H E S T R A
The Philadelphia Orchestra. Leopold Stokowski, Conducting.
Musical arrangement, orchestral placement and enhancement
by Dr. Stokowski.
Excerpts from Die Gotterdammerung Wagner
The choral and organ numbers were made
possible through the courtesy of the First
Presidency of the Church of Jesus Christ of
Latter Day Saints.
The orchestral numbers were made possible
through the courtesy of Dr. Leopold Stokowski and
the Philadelphia Orchestra Association.
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