In the Cyber Museum we feature extensive coverage of Cinerama, CinemaScope, Technirama, Panavision, Vistavision, Superscope, Todd-AO, Technicolor, Cinecolor, Kinemacolor and other motion picture photographic processes. In addition, the web site also features a great deal of historic material on the development of early motion picture sound systems of the variable area and variable density optical soundtracks, plus Vitaphone sound on disc motion picture audio systems.
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|Most Recent Update:
|29 August 2015
|We've expanded every section with big new
|High Resolution Graphics! - Browse Away!
Cinerama, CinemaScope, Vistavision, Todd-AO, Superscope, Ultra Panavision, Cinemiracle, Super Panavision, Technirama and more.
Additive, Subtractive, Cinecolor, Technicolor, Kinemacolor, Pathé Color, Kodachrome, Gaumont, Colcim, Horst, and other color systems.
Western Electric, RCA, DeForest, Variable Density, Variable Area, Fantasound, Vitaphone, just lots and lots of old stuff.
A potpourri of high resolution images reproduced directly from motion picture prints and negatives
Posters make for crummy bar bets. This little gallery shows how uninformative they can be.
Promises, Promises, Promises. The electronics industry is trying to convince us that we are facing new wonders in television. Find out the truth in this hard hitting exposé
If you don't own one now, you will own a widescreen TV some time in the near future. You need to be aware of some facts now in order to avoid some disappointments in the future.
Film restorer Robert A. Harris discusses restoration and preservation as they are and they ought to be. Still relevant a dozen years after presented to a symposium.
We're not sure why, but we've received numerous requests to make this review available again. So here it is.
©1995 - 2015 The American WideScreen Museum
The American WideScreen Museum is a wholly owned subsidiary of Armadillo Homemade Moving Picture and Television Company,
an entirely ficticious entity located a stone's throw from delightful Houston, Texas, U.S.A.
Cop Outs and Legal Stuff
Curator's Note: Every attempt has been made to ensure the information here is correct. Since a lot of blustery rhetoric was issued in the promotion of many of these processes, it is entirely possible that factual errors do exist. We are not hypersensitive to corrections so feel free to e-mail the author with any information that you have.
Photographic illustrations on this site are copyright © by their respective holders. The images are published in the belief that it is allowed by the copyright law's fair use or quotation provisions. If any copyright holder objects to an image being included, please notify the curator and the image will be removed immediately, though probably not cheerfully.
Unless otherwise stated, all text is written by Martin B.
Hart, the Curator,
�1995 - 2015 The American WideScreen Museum
We have begun using a special watermark on illustrations contained on this site. We're always glad to provide high quality images at nominal cost to those that need them for their websites but we get a little bitchy when folks just steal them.
TERMS AND CONDITIONS THAT APPLY TO WEBSITE CONTENT Legal Firm: Miller, Colby, and Pierce, LLP
Opinions that The Sound of Music and The Greatest Story Ever Told are boring are those of the Curator and his opinions are final. Don't bother complaining. Frankly we'd send up a big cheer if someone would chop the negatives into millions of guitar picks.